Een postume overzichtstentoonstelling van de veelzijdige kunstenaar Myriam Loyens, in dialoog met werk van hedendaagse kunstenaars.

The exhibition Fabric: Textile and the Female Nude explores the connection between textiles and the female nude in art. Featuring works from early 17th-century masterpieces to contemporary pieces, the presentation at Villa Schöningen illuminates this and related themes across various artistic genres.

Radical Software: Women, Art & Computing 1960–1991 will be the first of a series of group surveys based on original research. It presents the work of approximately fifty artists including painting, sculpture, installation, photography, film and a large number of computer-generated drawings and texts. This exhibition adopts a feminist perspective on the history of artists’ experiments in the pre-internet era of computing.

dépendance VIEW is pleased to announce Empreint_Jdirai_ Odissey (The Good Society), Anne-Mie Van Kerckhoven’s first solo with the gallery, marking a new chapter in her artistic career. The exhibition features a new body of work alongside historical pieces across various media, including collages, digital prints on Plexiglass and PVC, archival drawings, and a newly produced video.