Dénonce-moi brings together a series of portraits by artists from different generations, each probing the ways identity can be represented, interpreted, and inevitably fractured. The title, taken from a work by Pierre Klossowski, does not speak of accusation but of witness and connection.

Een postume overzichtstentoonstelling van de veelzijdige kunstenaar Myriam Loyens, in dialoog met werk van hedendaagse kunstenaars.

The artwork “Op een rustige dag” by Anne-Mie Van Kerckhoven (AMVK) began as a delicate pen drawing made on New Year’s Day—a quiet, reflective moment between past and future. In it, everyday objects like flowers and furniture are woven into a dynamic scene with arrows, orbs, and infinity signs, inviting viewers into a thoughtful visual journey. Later expanded and digitally reworked for the UZ Brussel hospital’s art wall, the drawing grew into a large-scale image, full of color and symbolic depth. It offers a sense of calm and hope in troubling times, acting as both a mental escape and a shared emotional space. AMVK’s work turns personal reflection into public healing, blending imagination and reality to spark moments of peace and perspective for all who pass by.

The exhibition Fabric: Textile and the Female Nude explores the connection between textiles and the female nude in art. Featuring works from early 17th-century masterpieces to contemporary pieces, the presentation at Villa Schöningen illuminates this and related themes across various artistic genres.